• Phoenix Papers 2008
• Peter Dickinson, Phoenix Award Speech, The Money Spider
• Claudia Mills, “Oh What Good Pure Love”: Sexuality and Motherhood in The Gift of Sarah Barker
• Donna R. White, Oracular Spoons in Peter Dickinson's The Ropemaker  (paper coming soon)
• Marilynn S. Olson, Acts and Monuments: Jane Yolen’s Devil’s Arithmetic
• Karen Coats, Eva and the Body/Body Problem  (paper coming soon)

• Phoenix Papers 2007
• Donna R. White, A Game of Snakes and Ladders: Sheila Gordon’s The Middle of Somewhere
• Marilynn S. Olson, “Falling into Place”: Margaret Mahy’s Alchemy
• Claudia Mills, Blame for Not Knowing: Waiting for Moral Awakening in Sheila Gordon’s Waiting for the Rain
• Karen Coats, Memory and the Blurring of Genre  (paper coming soon)
  

• Phoenix Papers 2006
• Priscilla A. Ord, Philip Pullman’s Other Trilogy: An Overview of the Sally Lockhart Mysteries
• Hilary Crew, Transformations: Margaret Mahy’s The Tricksters
• Michael Levy, “A Great New Work” or “Demon-Trap”: Attitudes Towards Technology in Philip Pullman’s The Shadow in the North
• Claudia Mills, “Bringing Things to Life by Talking to Them”: The Creative Power of Story in Howl’s Moving Castle

• Phoenix Papers 2005
• Michael Levy, “Margaret Mahy’s Liminal Spaces: Moments of Transformation in The Changeover
• Marilynn S. Olson, Sleeping Beauty and Hero, Too: T. S. Eliot’s Four Quartets and The Waste Land as Substrata in Fire and Hemlock
• Hilary S. Crew, Margaret Mahy’s The Catalogue of the Universe: Wobbles, Asymmetry, and Dangerous Edges

• Phoenix Papers 2004
• Berlie Doherty, Phoenix Award Speech, Dreams and Visions
• Michael Levy, Brian Doyle: Class and Cash on Easy Avenue
• Hilary Crew, Berlie Doherty’s Granny Was a Buffer Girl: Remembering the Past for the Future
• Marilynn S. Olson, What Does the Shadow Know?: Brian Doyle’s Angel Square
• Lois R. Kuznets, Leaving White Peak Farm

• Phoenix Papers 2003
• Marilynn S. Olson, The Land, the Woman, and Another Resolution: Ivan Southall’s Josh
• Nancy Huse, How Bad Can Bad Girls Be?: Cynthia Voigt Imagines Her Worst
• Adrienne Kertzer, A Time of Bibles and Guns: Ivan Southall’s The Long Night Watch

• Phoenix Papers 2002
• Zibby Oneal, Phoenix Award Speech, Letting a Character Lead the Way
• Carole H. Carpenter, Art and Artistry: An Appreciation of Zibby Oneal’s In Summer Light
• Nancy Huse, Re-Membering Broken Cultures in Story for a Black Night  
• Marilynn Strasser Olson, “A just concern for the public danger”: Trompe l’oeil Journalism, Social Metaphor, and Mayday Rampage
• Lois R. Kuznets, The Black Hole of Loss in Zibby Oneal’s A Formal Feeling

• Phoenix Papers 2001
• Peter Dickinson, Phoenix Award Speech, Going Round by the Byways
• Anita Tarr, The Politics of Art
• Nancy Huse, “My Mother the War”: AK as Caul in Peter Dickinson’s Africa
• Adrienne Kertzer, Why Are the Sikhs Not English?: History in Peter Dickinson’s The Changes Trilogy
• Carole H. Carpenter, Connecting with the Past: An Appreciation of Kathryn Lasky’s The Night Journey

• Phoenix Papers 2000
• Monica Hughes, Phoenix Award Speech
• Anita Tarr, Monica Hughes’s The Isis Trilogy: Feminist Rite of Passage?
• Carole H. Carpenter, Monica Hughes: Canadian, Eh?
• Alethea Helbig, Dreams and Devils, Devils and Dreams: The Risk Factor in Monica Hughes’s Devil on My Back and The Dream Catcher
• Carol Hanson Sibley, Jane Langton’s The Fledgling: What If? Then What? So What?