Book Award

Awarded annually by the Children's Literature Association to recognize outstanding book-length contributions to children's literature history, scholarship, and criticism. Eligible titles must be published, book-length works on the history of and/or scholarship or criticism on children's literature, written in English exclusively by the author(s) whose name(s) appear on the title page, and bearing an original copyright date of the year under consideration. Anthologies or festschriften, reference works, and textbooks; honors papers, masters theses, and doctoral dissertations, unless reworked as a book; and reprints or new editions of previously published books are not eligible. Access links to publisher Web sites for all currently in-print books by clicking on the publisher name.

2010 awards

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Winner: Nathalie op de Beeck, for Suspended Animation: Children's Picture Books and the Fairy Tale of Modernity, University of Minnesota Press, 2010.

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Honor Book: Megan A. Norcia, for X Marks the Spot: Women Writers Map the Empire for Children, 1790-1885, University of Ohio Press, 2010.

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Recommended: Jan Susina, for The Place of Lewis Carroll in Children's Literature, Routledge, 2010.

2009 awards

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Winner: Marah Gubar for Artful Dodgers: Reconceiving the Golden Age of Children’s Literature, Oxford University Press, 2009

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Honor Book: Anja Mueller for Framing Childhood in Eighteenth-Century English Periodicals and Prints, 1689-1789, Ashgate, 2009

2008 awards

Winner: Leonard Marcus for Minders of Make-Believe: Idealists, Entrepreneurs, and the Shaping of American Children’s Literature. Houghton-Mifflin, 2008.

Recommended books:

Penny Brown, A Critical History of French Children’s Literature (Routledge)

Anita Clair Fellman, Little House, Long Shadow: Laura Ingalls Wilder’s Impact on American Culture (University of Missouri Press)

Perry Nodelman, The Hidden Adult: Defining Children’s Literature (Johns Hopkins University Press)

Annette Wannamaker, Boys in Children’s Literature and Popular Culture: Masculinity, Abjection, and the Fictional Child (Routledge)

Michael Ward, Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis (Oxford University Press)

2007 awards

Winner: Kimberley Reynolds for Radical Children’s Literature: Future Visions and Aesthetic Transformations in Juvenile Fiction. Palgrave Macmillan, 2007.

Honor Book: Clare Bradford for Unsettling Narratives: Postcolonial Readings of Children’s Literature. Wilfrid Laurier University Press, 2007 .

Honor Book: Joseph T. Thomas, Jr. for Poetry’s Playground: The Culture of Contemporary American Children’s Poetry. Wayne State University Press, 2007.

Recommended Book: Owen Dudley Edwards, British Children’s Fiction in the Second World War (Edinburgh University Press)

2006 awards

Winner: Julia Mickenberg for Learning from the Left: Children's Literature, the Cold War, and Radical Politics in the United States. Oxford University Press, 2006.

Charles Butler, Four British Fantasists Place and Culture in the Children's Fantasies of Penelope Lively, Alan Garner, Dianne Wynne Jones, and Susan Cooper (Scarecrow).

Michael Cart and Christine Jenkins, The Heart Has Its Reasons: Young Adult Literature with Gay/Lesbian/Queer Content 1969-2000 (Scarecrow).

Lorinda Cohoon, Serialized Citizenships: Periodicals, Books, and American Boys, 1840-1911 (Scarecrow).

Tess Cosslett, Talking Animals in British Children's Fiction 1786-1914 (Ashgate).

Jacalyn Eddy, Bookwomen: Creating an Empire in Children's Publishing, 1919-1939 (University of Wisconsin Press in collaboration with the Center for the History of Print Culture in Modern America and the University of Wisconsin-Madison General Library System Office of Scholarly Communication).

Sarah Wadsworth, In the Company of Books: Literature and Its "Classes" in Nineteenth-Century America (University of Massachusetts Press).

2005 awards

Winner: Emer O'Sullivan for Comparative Children's Literature. Routledge, 2005.

Honor Book: Angela Sorby for Schoolroom Poets: Childhood, Performance, and the Place of American Poetry, 1865-1917. University of New Hampshire Press, 2005.

2004 awards

Winner: Katharine Capshaw Smith for Children's Literature of the Harlem Renaissance. Indiana University Press, 2004.

Honor Book: Karen Coats for Looking Glasses and Neverlands: Lacan, Desire, and Subjectivity in Children's Literature. University of Iowa Press, 2004.

2003 awards

Winner: Claudia Nelson for Little Strangers: Portrayals of Adoption and Foster Care in America, 1850-1929. Indiana University Press, 2003.

Honor Book: Beverly Lyon Clark for Kiddie Lit: The Cultural Construction of Children's Literature in America. Johns Hopkins University Press, 2003.

2002 awards

Winner: Hamida Bosmajian for Sparing the Child: Grief and the Unspeakable in Youth Literature about Nazism and the Holocaust. Routledge, 2002.

Honor Book: Adrienne Kertzer for My Mother's Voice: Children, Literature, and the Holocaust. Broadview Press, 2002.

2001 awards

Winner: Clare Bradford for Reading Race: Aboriginality in Australian Children's Literature. Melbourne UP (Australia), 2001.

Honor Book: Elizabeth Wanning Harries for Twice Upon a Time: Women Writers and the History of the Fairy Tale. Princeton University Press, 2001.

2000 awards

Winner: Roberta Seelinger Trites for Disturbing the Universe: Power and Repression in Adolescent Literature. University of Iowa Press, 2000.

Honor book: Valerie Krips for The Presence of the Past: Memory, Heritage, and Childhood in Postwar Britain. Garland, 2000.

1999 awards

Winner: Mary Farquhar, Children's Literature in China. Armonk, N.Y.: M.E. Sharpe, 1998.

1998 awards

Winner: Donnarae MacCann, White Supremacy in Children's Literature: Characterizations of African-Americans 1830-1900. New York: Garland, 1998.

Honor book: U.C. Knoepflmacher, Ventures Into Childland: Victorians, Fairy Tales and Femininity. Chicago: University of Chicago Press, 1998.

1997 awards

Winner: Ann Romines, Constructing the Little House: Gender, Culture, and Laura Ingalls Wilder. Amherst: University of Massachusetts Press, 1997.

Honor book: Margery Hourihan, Deconstructing the Hero: Literary Theory and Children's Literature. New York: Routledge, 1997.

1996 awards

Winner: Ruth Bottigheimer, The Bible for Children: From the Age of Gutenberg to the Present. New Haven: Yale University Press, 1996.

Honor book: John Goldthwaite, The Natural History of Make-Believe. Oxford and New York: Oxford University Press, 1996.

Honor book: Maria Nikolajeva, Children's Literature Comes of Age: Toward a New Aesthetic. New York: Garland, 1996.

1995 awards

Winner: Morton N. Cohen, Lewis Carroll: A Biography. London: Macmillan; New York: Knopf, 1995.

1994 awards

Winner: Lois Kuznets, When Toys Come Alive: Narratives of Animation, Metamorphosis, and Development. New Haven: Yale University Press, 1994.

Honor book: Gillian Avery, Behold the Child: American Children and Their Books, 1621-1922. Baltimore: Johns Hopkins University Press, 1994.

Honor book: Jack Zipes, Fairy Tale as Myth/Myth as Fairy Tale. Lexington: University Press of Kentucky, 1994.

1993 awards

Winner: Elizabeth Keyser, Whispers in the Dark: The Fiction of Louisa May Alcott. Knoxville: University of Tennessee Press, 1993.

Honor book: Patricia Demers, Heaven Upon Earth: The Form of Moral and Religious Children's Literature to 1850. Knoxville: University of Tennessee Press, 1993.

Honor book: Samuel Pickering, Moral Instruction and Fiction for Children, 1749-1820. Athens: University of Georgia Press, 1993.

1992 awards

Winner: Jerry Griswold, Audacious Kids: Coming of Age in America's Classic Children's Books. New York: Oxford University Press, 1992.

Honor book: Leonard Marcus, Margaret Wise Brown: Awakened by the Moon. Boston: Beacon, 1992.

Honorable mention: Lucy Rollins, Cradle and All: A Cultural and Psychoanalytic Study of Nursery Rhymes. Jackson: University of Mississippi Press, 1992.

Honorable mention: John Stephens, Language and Ideology in Children's Fiction. London: Longman, 1992.

1991 awards

Winner: Barbara Wall, The Narrator's Voice: The Dilemma of Children's Fiction. New York: St.

Martin's Press, 1991.

Honor book: Virginia Wolf, Louise Fitzhugh. Boston: G. K. Hall/Twayne, 1991.

Honorable mention: Claudia Nelson, Boys Will Be Girls: The Feminine Ethic and British Children's Fiction, 1857-1917. New Brunswick: Rutgers University Press, 1991.

Honorable mention: Patricia Demers, P. L. Travers. Boston: G. K. Hall/Twayne, 1991.

1990 awards

Winner: Millicent Lenz, Nuclear Age Literature for Youth: The Quest for a Life-Affirming Ethic. Chicago: American Library Association, 1990.

Honor book: Dianne Johnson, Telling Tales: The Pedagogy and Promise of African American Literature for Youth. New York: Greenwood Press, 1990.

Honorable mention: Gary D. Schmidt, Robert McCloskey. Boston: G. K. Hall/Twayne, 1990.

1989 awards

Winner: Joel Myerson, Daniel Shealy, and Madeleine Stern, eds., The Journals of Louisa May Alcott. Boston: Little, Brown, 1989.

1988 awards

Winner: Kirsten Drotner, English Children and Their Magazines, 1751-1945. New Haven: Yale University Press, 1988.

1987 awards

Winner: Julia Briggs, A Woman of Passion: The Life of E. Nesbit, 1858-1928. London: Hutchinson; New York: New Amsterdam Books, 1987.

Winner: Juliet Dusinberre, Alice to the Lighthouse: Children's Books and Radical Experiments in Art. New York: St. Martin's, 1987.

1985-86 awards

Winner: Iona and Peter Opie, The Singing Game. Oxford: Oxford University Press, 1985.

1981-84 awards

Winner: Neil Philip, A Fine Anger: A Critical Introduction to the Work of Alan Garner. London: Collins, 1981.

updated 10 months ago

But Mary Poppins‘s eyes were fixed upon him, and Michael suddenly discovered that you could not look at Mary Poppins and disobey her. There was something strange and extraordinary about her—something that was frightening and at the same time most exciting. (P. L. Travers, Mary Poppins, 1934) "When you wake up in the morning, Pooh," said Piglet at last, "what‘s the fist thing you say to yourself?" "What‘s for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what‘s going to happen exciting today?" said Piglet. Pooh nodded thoughtfully. "It‘s the same thing," he said. (A. A. Milne, Winnie-the-Pooh, 1926) The first week of August hangs at the very top of summer, he top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. (Natalie Babbitt, Tuck Everlasting, 1975) My cousin comes to visit and you know he‘s from the South ‘Cause every word he says just kind of slides out of his mouth I like the way he whistles and I like the way he walks But honey, let me tell you that I LOVE the way he talks (Eloise Greenfield, from "Honey, I Love," Honey, I love and other love poems, 1978) They tell you to do your thing but they don‘t mean it. They don‘t want you to do your thing, not unless it happens to be their thing, too. It‘s a laugh, Goober, a fake. Don‘t disturb the universe, Goober, no matter what the posters say. (Robert Cormier, The Chocolate War, 1974) There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats. (Kenneth Grahame, The Wind in the Willows 1908) "My darling child!... Where in the world did you come from?" "From the Land of Oz," said Dorothy gravely. "And here is Toto, too. And oh, Aunt Em! I‘m so glad to be at home again!" (L. Frank Baum, The Wonderful Wizard of Oz, 1900) It was a dark and stormy night. (Madeleine L‘Engle, A Wrinkle in Time, 1962) When Jamie saw him throw the baby, saw Van throw the little baby, saw Van throw his little sister Nin, when Jamie saw Van throw his baby sister Nin, then they moved. (Carolyn Coman, What Jamie Saw, 1995) Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It‘s one of the simplest sentences in the world, just four words, but they‘re the four hugest words in the world when they‘re put together. You can do it. (Sherman Alexie, The Absolutely True Diary of a Part-Time Indian, 2007) When beetles fight these battles in a bottle with their paddles and the bottle‘s on a poodle and the poodle‘s eating noodles... (Dr. Seuss, Fox in Socks 1965) Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you‘d expect to be involved in anything strange or mysterious, because they just didn‘t hold with such nonsense. (J. K. Rowling, Harry Potter and the Sorcerer‘s Stone, 1997) She knew they were all afraid. But love and disease are both like electricity, Weetzie thought. They are always there—you can‘t see or smell or hear, touch, or taste them, but you know they are there like a current in the air. We can choose, Weetzie thought, we can choose to plug into the love current instead. (Francesca Lia Block, Weetzie Bat 1989) "Tut, tut, child!" said the Duchess. "Everything‘s got a moral, if only you can find it." (Lewis Carroll, Alice‘s Adventures in Wonderland 1865) "Yes, it‘s very wicked to lie," said Pippi even more sadly. "But I forget it now and then. And how can you expect a little child whose mother is an angel and whose father is king of a cannibal island and who herself has sailed on the ocean all her life—how can you expect her to tell the truth always?" (Astrid Lindgren, Pippi Longstocking, 1950) TWINKLE, twinkle, little star, How I wonder what you are ! Up above the world so high, Like a diamond in the sky. (Ann and Jane Taylor, from "The Star," Rhymes from the Nursery, 1806) "Where‘s papa going with that ax?" (E. B. White, Charlotte‘s Web 1952) "You‘ve started quite a career for yourself, Nancy. I wonder if you‘ll have any more adventures?" Nancy gave a tired sigh. "Oh, I think I‘ve had enough to last me for the rest of my life!" But in heart heart, she knew she had not. The love for mystery would always be with her. (Carolyn Keene, The Bungalow Mystery 1930) HOW doth the little busy bee Improve each shining hour, And gather honey all the day From every opening flower! (Isaac Watts, from "Against Idleness and Mischief, Divine Songs for Children, 1715)Take some time daily to speak a little to your children one by one about their miserable condition by nature…. They are not too little to die… not too little to go to hell. — James Janeway, A Token for Children (1671-2) But Mary Poppins‘s eyes were fixed upon him, and Michael suddenly discovered that you could not look at Mary Poppins and disobey her. There was something strange and extraordinary about her—something that was frightening and at the same time most exciting. (P. L. Travers, Mary Poppins, 1934) "When you wake up in the morning, Pooh," said Piglet at last, "what‘s the fist thing you say to yourself?" "What‘s for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what‘s going to happen exciting today?" said Piglet. Pooh nodded thoughtfully. "It‘s the same thing," he said. (A. A. Milne, Winnie-the-Pooh, 1926) The first week of August hangs at the very top of summer, he top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. (Natalie Babbitt, Tuck Everlasting, 1975) My cousin comes to visit and you know he‘s from the South ‘Cause every word he says just kind of slides out of his mouth I like the way he whistles and I like the way he walks But honey, let me tell you that I LOVE the way he talks (Eloise Greenfield, from "Honey, I Love," Honey, I love and other love poems, 1978) They tell you to do your thing but they don‘t mean it. They don‘t want you to do your thing, not unless it happens to be their thing, too. It‘s a laugh, Goober, a fake. Don‘t disturb the universe, Goober, no matter what the posters say. (Robert Cormier, The Chocolate War, 1974) There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats. (Kenneth Grahame, The Wind in the Willows 1908) "My darling child!... Where in the world did you come from?" "From the Land of Oz," said Dorothy gravely. "And here is Toto, too. And oh, Aunt Em! I‘m so glad to be at home again!" (L. Frank Baum, The Wonderful Wizard of Oz, 1900) It was a dark and stormy night. (Madeleine L‘Engle, A Wrinkle in Time, 1962) When Jamie saw him throw the baby, saw Van throw the little baby, saw Van throw his little sister Nin, when Jamie saw Van throw his baby sister Nin, then they moved. (Carolyn Coman, What Jamie Saw, 1995) Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It‘s one of the simplest sentences in the world, just four words, but they‘re the four hugest words in the world when they‘re put together. You can do it. (Sherman Alexie, The Absolutely True Diary of a Part-Time Indian, 2007) When beetles fight these battles in a bottle with their paddles and the bottle‘s on a poodle and the poodle‘s eating noodles... (Dr. Seuss, Fox in Socks 1965) Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you‘d expect to be involved in anything strange or mysterious, because they just didn‘t hold with such nonsense. (J. K. Rowling, Harry Potter and the Sorcerer‘s Stone, 1997) She knew they were all afraid. But love and disease are both like electricity, Weetzie thought. They are always there—you can‘t see or smell or hear, touch, or taste them, but you know they are there like a current in the air. We can choose, Weetzie thought, we can choose to plug into the love current instead. (Francesca Lia Block, Weetzie Bat 1989) "Tut, tut, child!" said the Duchess. "Everything‘s got a moral, if only you can find it." (Lewis Carroll, Alice‘s Adventures in Wonderland 1865) "Yes, it‘s very wicked to lie," said Pippi even more sadly. "But I forget it now and then. And how can you expect a little child whose mother is an angel and whose father is king of a cannibal island and who herself has sailed on the ocean all her life—how can you expect her to tell the truth always?" (Astrid Lindgren, Pippi Longstocking, 1950) TWINKLE, twinkle, little star, How I wonder what you are ! Up above the world so high, Like a diamond in the sky. (Ann and Jane Taylor, from "The Star," Rhymes from the Nursery, 1806) "Where‘s papa going with that ax?" (E. B. White, Charlotte‘s Web 1952) "You‘ve started quite a career for yourself, Nancy. I wonder if you‘ll have any more adventures?" Nancy gave a tired sigh. "Oh, I think I‘ve had enough to last me for the rest of my life!" But in heart heart, she knew she had not. The love for mystery would always be with her. (Carolyn Keene, The Bungalow Mystery 1930) HOW doth the little busy bee Improve each shining hour, And gather honey all the day From every opening flower! (Isaac Watts, from "Against Idleness and Mischief, Divine Songs for Children, 1715)Take some time daily to speak a little to your children one by one about their miserable condition by nature…. They are not too little to die… not too little to go to hell. — James Janeway, A Token for Children (1671-2) But Mary Poppins‘s eyes were fixed upon him, and Michael suddenly discovered that you could not look at Mary Poppins and disobey her. There was something strange and extraordinary about her—something that was frightening and at the same time most exciting. (P. L. Travers, Mary Poppins, 1934) "When you wake up in the morning, Pooh," said Piglet at last, "what‘s the fist thing you say to yourself?" "What‘s for breakfast?" said Pooh. "What do you say, Piglet?" "I say, I wonder what‘s going to happen exciting today?" said Piglet. Pooh nodded thoughtfully. "It‘s the same thing," he said. (A. A. Milne, Winnie-the-Pooh, 1926) The first week of August hangs at the very top of summer, he top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. (Natalie Babbitt, Tuck Everlasting, 1975) My cousin comes to visit and you know he‘s from the South ‘Cause every word he says just kind of slides out of his mouth I like the way he whistles and I like the way he walks But honey, let me tell you that I LOVE the way he talks (Eloise Greenfield, from "Honey, I Love," Honey, I love and other love poems, 1978) They tell you to do your thing but they don‘t mean it. They don‘t want you to do your thing, not unless it happens to be their thing, too. It‘s a laugh, Goober, a fake. Don‘t disturb the universe, Goober, no matter what the posters say. (Robert Cormier, The Chocolate War, 1974) There is nothing—absolutely nothing—half so much worth doing as simply messing about in boats. (Kenneth Grahame, The Wind in the Willows 1908) "My darling child!... Where in the world did you come from?" "From the Land of Oz," said Dorothy gravely. "And here is Toto, too. And oh, Aunt Em! I‘m so glad to be at home again!" (L. Frank Baum, The Wonderful Wizard of Oz, 1900) It was a dark and stormy night. (Madeleine L‘Engle, A Wrinkle in Time, 1962) When Jamie saw him throw the baby, saw Van throw the little baby, saw Van throw his little sister Nin, when Jamie saw Van throw his baby sister Nin, then they moved. (Carolyn Coman, What Jamie Saw, 1995) Do you understand how amazing it is to hear that from an adult? Do you know how amazing it is to hear that from anybody? It‘s one of the simplest sentences in the world, just four words, but they‘re the four hugest words in the world when they‘re put together. You can do it. (Sherman Alexie, The Absolutely True Diary of a Part-Time Indian, 2007) When beetles fight these battles in a bottle with their paddles and the bottle‘s on a poodle and the poodle‘s eating noodles... (Dr. Seuss, Fox in Socks 1965) Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. They were the last people you‘d expect to be involved in anything strange or mysterious, because they just didn‘t hold with such nonsense. (J. K. Rowling, Harry Potter and the Sorcerer‘s Stone, 1997) She knew they were all afraid. But love and disease are both like electricity, Weetzie thought. They are always there—you can‘t see or smell or hear, touch, or taste them, but you know they are there like a current in the air. We can choose, Weetzie thought, we can choose to plug into the love current instead. (Francesca Lia Block, Weetzie Bat 1989) "Tut, tut, child!" said the Duchess. "Everything‘s got a moral, if only you can find it." (Lewis Carroll, Alice‘s Adventures in Wonderland 1865) "Yes, it‘s very wicked to lie," said Pippi even more sadly. "But I forget it now and then. And how can you expect a little child whose mother is an angel and whose father is king of a cannibal island and who herself has sailed on the ocean all her life—how can you expect her to tell the truth always?" (Astrid Lindgren, Pippi Longstocking, 1950) TWINKLE, twinkle, little star, How I wonder what you are ! Up above the world so high, Like a diamond in the sky. (Ann and Jane Taylor, from "The Star," Rhymes from the Nursery, 1806) "Where‘s papa going with that ax?" (E. B. White, Charlotte‘s Web 1952) "You‘ve started quite a career for yourself, Nancy. I wonder if you‘ll have any more adventures?" Nancy gave a tired sigh. "Oh, I think I‘ve had enough to last me for the rest of my life!" But in heart heart, she knew she had not. The love for mystery would always be with her. (Carolyn Keene, The Bungalow Mystery 1930) HOW doth the little busy bee Improve each shining hour, And gather honey all the day From every opening flower! (Isaac Watts, from "Against Idleness and Mischief, Divine Songs for Children, 1715)Take some time daily to speak a little to your children one by one about their miserable condition by nature…. They are not too little to die… not too little to go to hell. — James Janeway, A Token for Children (1671-2)